Compositor Ommelyla Gilani on returning to VFX
We are pleased to be working with Film London as part of their Return to Work scheme, aimed at parents… Read More
A new approach towards matte painting landscapes?
We have been experimenting with procedural landscape generation with a view to changing the way we approach matte painting landscapes…. Read More
Anatomy of a Shot – Apostle VFX
We provided on-set supervision and a number of VFX sequences for Apostle, working closely with acclaimed writer/director Gareth Evans (The… Read More
Neckface nominated in the BAFTA Cymru awards
Last year we provided a number of visual effects shots for comedy short film Neckface, written and exec produced by… Read More
NFTS Summer Internship 2018
For the fourth consecutive year we have welcomed interns from the National Film and Television School Digital Effects MA course… Read More
Enhancing Casualty’s one shot episode
It was no mean feat for the BBC’s long running drama series to film a ‘one-shot’ episode and we were… Read More
VFX completed for Born to Kill
We’ve just finished working on all the Visual Effects for Born to Kill for World Productions (Line of Duty), a Channel 4… Read More
Don’t Knock Twice VFX Breakdowns
We were the lead Visual Effects team on recent horror film Don’t Knock Twice, our third collaboration with Red and… Read More
Bedwyr Williams collaboration wins Derek Williams Trust Purchase Award at Artes Mundi 7
It was announced last night that Bedwyr Williams’ Tyrrau Mawr, a 20 minute digital matte painting in 4k resolution that Bait… Read More