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Compositor Ommelyla Gilani on returning to VFX
We are pleased to be working with Film London as part of their Return to Work scheme, aimed at parents… Read More
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A new approach towards matte painting landscapes?
We have been experimenting with procedural landscape generation with a view to changing the way we approach matte painting landscapes…. Read More
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Anatomy of a Shot – Apostle VFX
We provided on-set supervision and a number of VFX sequences for Apostle, working closely with acclaimed writer/director Gareth Evans (The… Read More
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NFTS Summer Internship 2018
For the fourth consecutive year we have welcomed interns from the National Film and Television School Digital Effects MA course… Read More
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Enhancing Casualty’s one shot episode
It was no mean feat for the BBC’s long running drama series to film a ‘one-shot’ episode and we were… Read More
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VFX completed for Born to Kill
We’ve just finished working on all the Visual Effects for Born to Kill for World Productions (Line of Duty), a Channel 4… Read More
![Dont Knock Twice - Driving](https://baitstudio.com/wp-content/uploads/2017/04/DKT-Website-Image-960x720.png)
Don’t Knock Twice VFX Breakdowns
We were the lead Visual Effects team on recent horror film Don’t Knock Twice, our third collaboration with Red and… Read More
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The Call Up Release
Sci-fi film action thriller The Call Up, on which we completed all of the VFX and the title sequence, has… Read More
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Golley Slater Talk
Our Creative Producer Pete recently gave a talk at Cardiff-based advertising agency Golley Slater. Here’s what he had to say… Read More